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What Do You Call The Ability To Register For Classes At Various Times

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Browse Winter & Bound Writing Classes!

Hugo House: Your all-time source for online writing classes in Seattle and around the world.

For more than data on the schedule,  the various formats of our writing classes, and counterfoil policies, check out our About page. Information about Scholarships can be found on its ain folio. Or, go meet our talented instructors.

For help finding writing classes, or if you've registered for an online grade just haven't received a Zoom link, contact our team or call u.s.a. at 206.322.7030.

All classes are in Pacific Time. Beginning Autumn 2021, we will be adding select in-person classes back to our course catalog. The majority of our classes will still be offered via Zoom. If a course says IN-PERSON in its title, it will take place in person at our permanent dwelling house in Seattle. If a class says ASYNCHRONOUS in its title, it volition take place on Wet Ink, our asynchronous learning platform. If a class does non accept a marking after its title, information technology will take place via Zoom.

Click hither to acquire more than nigh our in-person COVID-19 policies for fall.

If y'all would like to receive our quarterly catalogs in the postal service, please contact the states.


Spring Registration Dates

All registrations open up at 10:30 am

Scholarship Donation Day (by phone just): March 7
Fellow member Registration:March viii
General Registration: March xv

What's Scholarship Donation Day?

The first day of registration (the Mon before member registration opens) will now be open to anyone who donates $250 to our scholarship fund*. Donations must be fabricated over the phone.

Call us at 206.322.7030 on March 7 to brand your donation and sign up for the classes of your choosing.

*Applicable to specific scholarship fund donations fabricated between member registration of the previous quarter and Scholarship Donation Day each quarter.

Leaps and Swerves: Creating Surprise in Poesy

We have added a 2d section of this form on three/22. All Levels | Permit'southward explore unexpected moves in poems: disruptions to syntax, shifts in tone, and associative leaps. Get ready for in-course prompts that invite a sense of wildness…

Dilruba Ahmed is the author of Bring Now the Angels (Pitt Poetry Serial, University of Pittsburgh Press, 2020). Her debut book of poetry, Dhaka Grit (Graywolf Press), won the Bakeless Prize. Her poems have appeared in American Poetry Review, Kenyon Review, New England Review, Ploughshares, and Poetry. Her poems accept too been anthologized in The Best American Poetry 2019 (Scribner), Halal If You Hear Me (Haymarket Books), Literature: The Human Experience (Bedford/St. Martin'southward), Indivisible: An Anthology of Contemporary South Asian American Verse (Academy of Arkansas), and elsewhere. Ahmed is the recipient of The Florida Review'due south Editors' Award, a Dorothy Sargent Rosenberg Memorial Prize, and the Katharine Bakeless Nason Fellowship in Poetry awarded by the Bread Loaf Writers Conference. She holds degrees from the University of Pittsburgh and Warren Wilson College'southward MFA Program for Writers.

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Gratis Writing for Transformation

Class UPDATE: This class volition at present accept place on 4/ii. This has been updated from the print catalog. Artists, poets, and cultural workers take ever been on the forefront of social movements. Giving vocalization to our experiences is an opportunity…

Nikkita Oliver (they/them) is a Seattle-based creative, community organizer, abolitionist, educator, and attorney. Working at the intersections of arts, law, education, and community organizing Nikkita strives to create experiences which draw us closer to our humanity and invites usa to imagine what we hope to meet in the futurity.

Nikkita has opened for Cornel Westward and Chuck D of Public Enemy, featured on the Breakfast Order, KUOW's The Calendar week in Review, Cut Stories, and performed on The Late Night Show with Stephen Colbert. Nikkita'southward writing has been published in the South Seattle Emerald, Crosscut, the Establishment, Concluding Real Indians, The Seattle Weekly, and The Stranger. Nikkita organizes with No New Youth Jail, Decriminalize Seattle, Covid-19 Common Aid - Seattle, and the Seattle Peoples Political party.

Nikkita is the executive director of Creative Justice, an arts-based alternative to incarceration and a healing engaged youth-led community-based programme.

Nikkita was the showtime political candidate of the Seattle Peoples Party running for Mayor of Seattle in 2017 narrowly missing the general ballot by approximately 1,100 votes; coming in third of 21 candidates.

Nikkita speaks and performs for events, at universities and conferences, and facilitates trainings on equity, police force and justice, education, and arts activism all over the United states.

Follow on IG and Twitter @nikkitaoliver

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The Alchemy of Retention

Intermediate | We will read essays, excerpts from contempo memoirs, and lyric narratives to explore what Accolade Moore calls "the mercurial nature of retentivity," so that memory (drawn from life experiences, journal entries, family history, and our reflections) becomes a…

Carolyne Wright's new book is Masquerade: a Memoir in Poetry (Lost Horse Press, 2021). Her previous book from Lost Equus caballus is This Dream the Globe: New & Selected Poems (Lost Horse Press, 2017), whose championship poem received a Pushcart Prize and appeared in The All-time American Poetry 2009. She has 9 before books and chapbooks of poetry; a ground-breaking anthology, Raising Lilly Ledbetter: Women Poets Occupy the Workspace (Lost Horse, 2015), which received ten Pushcart Prize nominations; v award-winning volumes of poesy in translation from Spanish and Bengali; and a volume of essays. Carolyne has served as Visiting Poet and professor of Creative Writing at colleges and universities throughout the U.Due south., including Harvard, Radcliffe, Emory Academy and the University of Miami. She returned in 2005 to her native Seattle, where she teaches for Hugo House, the Whidbey Writers Workshop MFA Programme (from 2005 until the program's closure in 2016), and for national and international literary conferences and festivals. A Contributing Editor for the Pushcart Prizes, Carolyne lived in Chile and traveled in Brazil on a Fulbright Grant; and she returned to Brazil in 2018 on an Instituto Sacatar artists residency in Bahia. She has received grants from the National Endowment for the Arts, 4Culture, and the Seattle Office of Arts & Culture; and a Fulbright U. Due south. Scholar Accolade granted in 2020 will take her back to Salvador, Bahia, afterwards the CoVid-19 pandemic subsides in Brazil.

Photo by Sherwin Eng

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Writing In Our Unprecedented Moment: New Visions, New Possibilities

Intermediate | In our state and around the earth, we're experiencing an epochal moment: a global pandemic, racial and colonial reckonings, ecology and economic crises, the end of a twenty-year war. How exercise we grow every bit writers amid these massive…

Eric LeMay has taught writing at Harvard, Columbia, and the Academy of Chicago. He is currently on the faculty of the writing program at Ohio University, his alma mater. He is also a host on the New Books Network. He is the author of five books, most recently Remember Me. His poetry and prose have appeared in The Paris Review, DIAGRAM, Salon, Verse Daily, the Best Food Writing series, and other venues. He lives in Athens, Ohio, with fellow author, Kristin LeMay, and their son.

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How to Write a Modern Love Essay

All Levels | The Modernistic Beloved column in the New York Times has been a reader favorite since its inception in 2004. In this class, we volition look at a few example columns and hash out their structure, too equally…

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Theo Pauline Nestor is the author of Writing Is My Beverage: A Writer's Story of Finding Her Vocalization (And a Guide to How You Can Too) (Simon & Schuster, 2013) and How to Sleep Solitary in a King-Size Bed: A Memoir of Starting Over (Crown, 2008). Nestor'due south essays have appeared numerous places including the New York Times, Seattle Times, and The Rumpus.

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Reimagining Revision (IN-PERSON)

For this craft talk and writing workshop, writers volition bring up to two pieces of writing that they need help revising. Nosotros will hash out reasons to revise, revision techniques, and how to know when a poem is done (for the…

"Williams demonstrates an astounding technical mastery of poetic forms that goes far across form for form's sake, equally he repeats, reconfigures, and recontextualizes words and phrases in society to create continuity and multifaceted meanings." ―Muzzle Magazine

"Williams sings for the vanished, for the haunted, for the tortured, for the lost, for the place on the horizon where the niggling gunkhole of the human torso disappears in a wingdom of unending grace." ―The Best American Poesy

"To experience Williams' poetry is to run into a lucid, unmitigated humanity, a voice for whom language is inadequate, yet necessarily grasped, shaped, and consumed." ―Rachel Eliza Griffiths

Phillip B. Williams is the author of Wildcat (Penguin Random Firm, 2021), and Thief in the Interior (Alice James Books, 2016), winner of the 2017 Kate Tufts Discovery Honour and a 2017 Lambda Literary accolade. He is too the author of the chapbooks Bruised Gospels (Arts in Bloom Inc., 2011) and Burn (YesYes Books, 2013).

His forthcoming drove Mutiny is a rebellion, a subversion, an onslaught. In poems that rebuke classical mythos and western canonical figures, and embrace Afro-Diasporanfolk and spiritual imagery, Williams conjures the hell of existence erased, exploited, and ill-imagined and so, through a force and generosity of vision, propels himself into life, selfhood, and a path forward. Intimate, bold, and sonically mesmerizing, Mutiny addresses loneliness, desire, incertitude, memory, and the borderline between beauty and tragedy.

In his debut collection Thief in the Interior, Williams investigates the dangers of desire, balancing narratives of addiction, murders, and hate crimes with passionate, uncompromising depth. Formal poems entrenched in urban landscapes crevice open up dialogues of racism and homophobia rampant in our culture. Multitudinous voices explore one's power to harm and exist harmed, which uniquely juxtaposes the chapters to revel in both experiences.

Of Thief in the Interior, Los Angeles Volume Review noted, "The seasoned reader of poesy volition exist impressed that Thief in the Interior is Phillip B. Williams's beginning collection. His control of the line is masterful, and his syntax eschews, for the near part, direct or simple delivery of language, creating a formal and solemn tone that scores the emotional pitches of the volume." Author Adrian Matejka notes, "Williams'due south poems embody residual: uncompromising and magnetic, surprising and intuitive. Need is everywhere―in the unforgiving images, in lines so delicate they seem to break autonomously in the hands, and in the reader who volition enter these poems and never want to get out."

Williams's piece of work has appeared or is forthcoming in Boston Review, Callaloo, Kenyon Review, The New Democracy, The New Yorker, and others. He is the recipient of a 2020 creative writing grant from the National Endowment for the Arts, a 2017 Whiting Award, and a 2013 Ruth Lilly Fellowship. He serves every bit a faculty member at Bennington College and Randolph Higher low-res MFA.

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Writing a Feature-Length Screenplay: Construction and Character

Intermediate | Every movie starts as nothing more than than words on a page. Simply how on earth does a author get from the opening titles to the concluding fade-to-black? This form is aimed at writers who want to understand the…

Marissa Flaxbart is a author, filmmaker, and podcaster based in Los Angeles. She holds a BA in Movie house and Media Studies from the University of Chicago and an MFA in Screenwriting from Chapman University. Early in her professional life, she produced and directed a feature-length documentary, Show/CHOIR, while leading a team of technology lecturers at i of the first flagship Apple stores. Since relocating to Los Angeles, she has worked as a writer and programmer for pic and television. She is the host of the civilization podcast Sweet Valley Diaries and a author/producer for Xx Thousand Hertz. Her kickoff narrative characteristic will be released in 2021.

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Poetry Two (ASYNCHRONOUS)

This class volition build upon craft learned in Poetry I. Through more than intensive readings, prompts, discussions, and workshops of your poems, we will further develop our poetic technique. While Poetry I is aimed at introducing you to the vast creative…

Michelle Peñaloza is the author of Former Possessions of the Spanish Empire, winner of the 2018 Hillary Gravendyk National Poetry Prize (Inlandia Books, 2019). She is likewise the writer of two chapbooks, mural/heartbreak (Two Sylvias, 2015), and Last Night I Dreamt of Volcanoes (Organic Weapon Arts, 2015). The recipient of fellowships and awards from the University of Oregon and Kundiman, Michelle has besides received support from Lemon Tree House, Caldera, 4Culture, Literary Arts, VONA/Voices, and the Bread Loaf Writers' Conference, amongst others. The proud girl of Filipino immigrants, Michelle was built-in in the suburbs of Detroit, MI and raised in Nashville, TN. She now lives in rural Northern California.

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Autofiction (IN-PERSON)

All Levels | Unlike personal essay and memoir, which are the explorations of what was, autofiction allows us to keenly feel into what was while also imagining the spaces between and effectually. In this generative workshop, nosotros will experiment with…

Corinne Manning's debut story drove WE HAD NO RULES has received starred reviews from Booklist and Publisher'southward Weekly the latter noting it "exquisitely examines queer relationships with equal parts humor, heartache, and titillation." Corinne has taught for Hugo Firm since 2011.

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How to Write Riveting Scenes

All Levels | The primal to whatever unforgettable work of prose resides in the quality of its scenes. In this class, we'll wait at some of the best scenes e'er written and investigate what it takes to write a scene…

Grade Type: 1 Session  | Instructor: Steve Almond

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Kickoff Date: 04/04/2022 - 6:00 pm PDT
3 seats bachelor

Steve Almond is the writer of twelve books of fiction and non-fiction including the New York Times bestsellers Candyfreak and Against Football game. His novel All the Secrets of the World, will be published in 2022. His short fiction has appeared in the Best American Short Stories, the Pushcart Prize, and Best American Mysteries. His essays accept appeared in the New York Times Magazine and elsewhere. Almond teaches at the Nieman Foundation for Journalism and Wesleyan University, and lives exterior Boston with his married woman, iii children, and considerable anxiety.

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Exploring Chapbooks

Intermediate/Advanced | Whether equally prologue to a longer collection or a site to explore smaller obsessions, the chapbook has long provided poets the place to gather short sequences of poems. This class will combine reading, discussion, and workshop of the…

Pecker Carty has received fellowships from the Fine Arts Work Eye, Artist Trust, and Hugo House. He is the author of Huge Cloudy (forthcoming, Octopus Books). His poems have appeared in the Boston Review, Ploughshares, Iowa Review, and other journals.

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Advanced Poetry Workshop

Registration for this form is by application only. Applications are open now and will be accepted on a rolling basis starting on Fellow member Registration Day. Advanced | In this inclusive, welcoming, and supportive workshop, the focus will exist on revising…

Course Blazon: 10 Sessions  | Instructor: Martha Silano

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Offset Engagement: 04/05/2022 - 10:00 am PDT
Registration for this class has not started.

Martha Silano is the author of five poesy books, including Gravity Assist, Reckless Lovely, and The Little Part of the Immaculate Conception, all from Saturnalia Books. Her poems have appeared in Poetry, New England Review, American Poetry Review, and Paris Review, among others, and in four dozen print anthologies, including American Poetry: The Next Generation and ​All-time American Poetry 2009. She likewise co-authored, with Kelli Russell Agodon, The Daily Poet: 24-hour interval-By-Twenty-four hours Prompts for Your Writing Practise. Martha received Yaddo's 2017 Martha Walsh Pulver Residency. She teaches at Bellevue College.

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Intro to Writing Memoir, Pt. 3: Structuring and Sharing Your Stories

Introductory | This 8-week course volition focus on methods for structuring your personal narratives and so that they are powerful, unified, and publishable. The class will offer strategies for improving your stories' bear on, menses, and coherence, and give yous plenty of…

Course Type: 8 Sessions  | Teacher: Theo Nestor

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Commencement Date: 04/05/2022 - 5:00 pm PDT
4 seats available

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Theo Pauline Nestor is the author of Writing Is My Drink: A Writer's Story of Finding Her Voice (And a Guide to How You Tin can Too) (Simon & Schuster, 2013) and How to Sleep Solitary in a Rex-Size Bed: A Memoir of Starting Over (Crown, 2008). Nestor's essays have appeared numerous places including the New York Times, Seattle Times, and The Rumpus.

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The Most Personal Essay (IN-PERSON)

All Levels | We will draft, workshop, and revise 1,000-1,500-word essays that delve deeply into the first person, focusing on construction, narrative voice, and scene. We volition learn to cultivate vulnerability without self-indulgence, sharing without oversharing. Participants will receive one-on-1…

Nicole Hardy is the writer of the memoir Confessions of a Latter-Twenty-four hours Virgin and the verse collections This Blonde and Mud Flap Daughter's 20 Guide to Facial Profiling — a chapbook of pop-culture inspired sonnets.

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The Creative person'due south Fashion

All Levels | This course is based on Julia Cameron's book, The Artist'southward Way: A Spiritual Path to Higher Creativity, a serial of prompts that focuses on recovering the creative self. Cameron's process aims to dispel the "I'm not talented…

Shama is an author who lives in Dallas and Seattle. She plans to fully relocate to Seattle in May 2022 after her daughter graduates from High School. She hold a Principal's in Religion with emphasis on Islam from Florida State University. Excerpts of her memoir were published in Palooka, A Journal of Underdog Excellence; Transformation, A Periodical of Literature, Ideas & the Arts; Fiction Set up; and Mandala Literary Journal. She was a finalist for Black Warrior Review and her book proposal also as four of her essays were selected by Mayborn Literary Nonfiction Conference hosted past University of North Texas.
In front of a live sold-out audience at the Dallas Museum of Arts and the AT&T Performing Arts Center, she read excerpts from her memoir which can be constitute on YouTube aqueduct titled: Oral Fixation (An Obsession with Truthful Life Tales)'s Lost in Translation, Elephant in the Room, and Old School. In addition, she read excerpts from her memoir at Truth in Comedy, a testify featuring nonfiction writers.
Shama works equally the Director of Philanthropy and Marketing for Real Escape from the Sex Trade (REST), a Seattle based nonprofit serving victims and survivors of sex merchandise and sex trafficking. During her spare fourth dimension, she loves to write, paint, hike and travel.

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Source: https://hugohouse.org/classes/course-catalog/

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